Single girls and serial killers : sex, slaughter and the city
- Publication Type:
- Thesis
- Issue Date:
- 2008
Closed Access
| Filename | Description | Size | |||
|---|---|---|---|---|---|
| 01Front.pdf | contents and abstract | 678.86 kB | |||
| 02Whole.pdf | thesis | 23.13 MB | |||
| 03Falling Snow.mp4 | 101.54 MB | ||||
| 04The Photographer.mp4 | 158.08 MB | ||||
| 05On Being Stalked.mp4 | 143.68 MB | ||||
| 06Rape Fantasies.mp4 | 117.5 MB | ||||
| 07Serial Femicide.mp4 | 127.93 MB |
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NO FULL TEXT AVAILABLE. Access is restricted indefinitely. ----- How does a serial killer evolve into a romantic figure? Jack, our mysterious Ripper in Whitechapel,
London 1888 set the stage for this evolution of serial murderers from heinous undesirable monsters into
romanticised figures of enduring mystery, a vessel for dangerous desires spanning the genres of crime,
horror, and romantic suspense fictions. What is so alluring about a man in a cape, darting about in the
shadows of foggy London killing women? How does a cannibal called Hannibal become a celebrity
figure - what does Clarice Starling see in him? How can such a hideous crime define a landscape and
become a tourist hot spot? Jack the Ripper tours. Ripper as in ripped women open with such skill it was
theorised he might be a surgeon. Perhaps its that age old fantasy about meeting a doctor and falling in
love, except for the killing of course, but then romantic heroes are dark and mysterious. Single Girls and
Serial Killers: Sex, Slaughter and the City is a ficto-critical investigation of what Isabel Cristina Pinedo
terms "recreational terror". Taking the form of darkly comic dramatic monologue, the work asks the
question: How do you meet Mr Right in an age of Serial Killers? Drawing upon the conflicting narratives
of two popular dramatic television series - Law and Order Special Victims Unit and Sex and the City - I
explore how each show tells a different story of single women, sex, and the (same) city, juxtaposing fear
and desire in stark contrast, and begging the question of how such stories of sex, slaughter and city-space
are embodied by women? I theorise the eroticisation of violence, and recreational terror, and question the
construction of women as victims in the game of serial murder and serial monogamy.
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